I have to confess, the absence of YouTube in my life is doing me wonders. But it comes with a cost: the main reason I use it, for browsing music old and new, is sorely missed. Villafranca de los Barros is supposedly the ‘City of Music’. In all honesty, you’ll find more music variety in Lloyds’ Durham on a Wednesday night.
Ever since the sequence of events in February 2015 that saw my iPod disappear and reappear a month later, my laptop give out and the arrival of this highly portable but sadly much-desiring Chromebook – which is too feeble to support either my music library or even an iTunes account in the first place – my iPod’s music selection has been stuck on the stuff I had loaded onto it from January this year. All the music I’ve discovered since, from the Moroccan beach-town hostels to my music-concert escapades in Jordan, has to be consigned to memory instead. Which is fine, but as music is such an important part of my life, it’s a little tragic. I’m not umbilically attached to my iPod by any means, but on Mondays and Wednesdays when I’m faced with an hour of mutinous six-year old Spaniards, it really is an essential piece of my arsenal to go in armed with at least five minutes’ listening to my Africa playlist, or my Super-Hyper-Motivator playlist, or what-have-you. It keeps me smiling. It’s like a more short-range and portable form of meditation.
But I’m limited to what I knew in January 2015 – which is obviously the bulk of my music, that’s a given, but music’s a transitive thing; more often than not, it’s the more recent tunes that I want in my ears, and not the old classics – though they surprise me anew and anon with Shuffle on. The Rite of Spring came up this morning and I listened to the whole thing from start to finish for the first time in a while. I’d quite forgotten how masterful the whole thing is – personal prejudice from growing up with Fantasia aside.
But it’s not just the listening I miss. It’s the performing. Bowing to the occasional whims of my students as a performing monkey isn’t the same. I miss singing and I miss the stage. Teaching is always on a kind of stage with all the spotlights on you, and so’s the dancing I tend to go in for, but it’s not the same. And that’s where my personal vendetta against ukuleles and guitarists comes in. You guys have it far too easy, and open mics are the ultimate test of proof. Unaccompanied singing just doesn’t work. I’m a singer before anything else (we’ll forget that I wandered away from Grade Six violin several years ago for now) but singing alone is more of a shower affair than a stand-up thing. Armed with a uke in hand or a guitar across your lap, you’re good to go. Me, I just feel like a fish out of water without the backing of a band or a chorus.
As such, I’ve only ever done one open mic. Shake Your Tailfeather a cappella. Never again.
There’s a Christmas concert coming up in a couple of weeks (in November… go figure) for which the music teacher and a small group of girls have asked me to help conduct/choreograph All I Want for Christmas Is You… Predictable, much. It’s the best I’m going to get for a while so I’m throwing myself into it, naturally, but just you wait until the bilingual schools’ intercambio here in February, for which we’re supposed to put on a show. I’ll be pulling out all the stops with some classics then, for sure. The only question is, do I go with Northern Lights or do I throw them some easier African numbers? Either way, I win. And either way, I’m going to end up tear-stained, as I dearly miss both my old gang and the feeling I used to get in every African Singing and Drumming performance. Jimminy Christmas, but I miss having music in my life. It’s the only killer of living in Spain. They’re big on their reggaeton, and of course there’s flamenco, but they just don’t get music in the same way. Or maybe that’s just me growing up in a family where both my parents were music teachers, and thus spending almost all twenty-two years of my life involved in one way or another in choirs, bands, musicals and orchestras of all descriptions.
On a positive note I’ve just been paid by one of my two jobs, which is a welcome relief in a time when the rest of the world (myself including) is still waiting on the all-important paycheck from the Ministry of Education, which may or may not be with us in arrears until Christmas, or so the horror stories go. I’m currently dreaming of where to go with both the time and money next August, as I’m not used to having both at the same time. Having the latter at all is a novelty, but together with time is a very new thing for me. The painful memories of the longest gap year with no job, no desire to obtain one and consequently barely a penny to my name are still vivid in my mind.
I’m currently hooked on the idea of backpacking in South Africa, which I’ve been toying with on-and-off for years. The first girl I ever dated was half-Afrikaner, which I suppose is where the obsession began in earnest, but it’s the music that’s the real draw. My mum and dad are of the opinion that I would be better served waiting for the Soweto Gospel Choir to tour a little closer to home if it’s the music I’m after, but I don’t see it that way. I miss the joy of the open road, the terror of nor knowing where I’m going to end up, the awkward encounters and the divine, and the host of colourful characters you meet along the way. In short, I miss a decent bit of travelling. All I have to do before August 2016 is to find somebody bonkers enough to want to come with. Not that I wouldn’t go alone, but it’d be a lot more fun with a friend. If you’re reading, dear companions, give it some thought!
I’ll leave you with the latest pox upon my heart, which is (of course) a Soweto number. I tell you, if it weren’t for my job, my degree and a certain gaditana, I’d up sticks right away and go straight to South Africa every time I hear this. Yours truly really is a bleeding heart, and if I’m not careful, it’ll be more than just my heart bleeding one day. BB x